About American English Dialect Citations of Dialect Resources
There are 8 major English dialect areas in North America, listed on the map.
These are shown in blue, each with its number, on the map and in the Dialect Description Chart below, and are also outlined with blue lines on the map. The first 6 of these begin at the eastern seaboard and proceed west, reflecting western settlement patterns. The many subdialects are shown in red on the map and in the chart, and are outlined with red lines on the map. All of these are listed in the margins of the map as well. In the Dialect Description Chart additional features not shown on the map are provided for distinguishing the dialects.
Dictionary of American Regional English (1985-2013)
Discover the full panoply of American regional words, phrases, and pronunciations with DARE. The digital
edition features audio, interactive maps, and insights into the DARE Survey. “These recordings will be of
inestimable value to linguists and teachers,” said Allan Metcalf, Executive Secretary of the American
Dialect
Society, “but they will also be prized by social historians and individuals tracing their own cultural
roots.”
University of Wisconsin-Madison: American voices from the past
live
again, as DARE recordings available online
This is about regional English, not about saying no to drugs. Between 1965 and 1970, DARE Fieldworkers
talked
with nearly 3,000 people in 1,002 communities, large and small, across the United States. Their responses to
the DARE Questionnaire formed a basis for the entries in the six-volume Dictionary of American Regional
English (1985-2013) and Digital DARE (2013). Now the recordings, more than 1,800 of them, are freely
available
online, hosted by the University of Wisconsin's Digital Collections Center.
http://news.wisc.edu/american-voices-from-the-past-live-again-as-dare-recordings-available-online/
GET RID OF THE REGIONAL ACCENT
Austrailian Accent | Irish Accent | Bostonian Accent | Standard American Accent
The Accent Whisperers of Hollywood Peak TV has brought in a flood of global acting talent. It's the job of
dialect coaches like Samara Bay to help them all sound right.
Television viewers, exposed to hundreds of different dialects every day, are increasingly aware of the tiniest differences in how people speak, even as the number and degree of distinctions continue to expand. There's a wide and complex range of Minnesotan on “Fargo,” and Tatiana Maslany, the Canadian star of “Orphan Black,” does a dizzying array of British, American and even Eastern-European-inflected English accents. But the specificity isn't relegated to stars. Bay says she was recently dispatched to the set of another TV show to work on a bit player's Haitian Creole. She read the script and character notes and went to YouTube, a miraculous repository (especially under the “accent” tag), then crosschecked her YouTube finds with a Haitian-language specialist at M.I.T.'s linguistics department, who narrowed them down and sent her a few of his own field recordings. All for a few lines uttered briefly by a one-off character in a network drama that has been canceled. The right dialects can help actors create a sense of authenticity and also quickly transmit a lot of information about their characters. An actor could sound generally as if he were from the South and pronounce “pen” like “pin.” Or he could also speak in African-American Vernacular English (for instance, pronouncing “south” like “souf”) and sound as if he were from Bankhead, a largely African-American Atlanta neighborhood. An actor could speak with all these linguistic specificities, but with a particular quicker and more clipped speech pattern that has to do with his own upbringing, and then he'd sound like Earn Marks, the character portrayed by Donald Glover in “Atlanta.” In other words: exactly like who that character is, and no one else. https://archive.is/PjbGC
In 1976, an experimental edition of Bridge: A Cross Cultural Reading program (Simpkins, et
al;1975), was field tested in school systems in various areas of the United States..The field test was designed by Houghton Mifflin Publishers and Dr. Gary Simpkins, to
test the Bridge Reading Program under actual, day-to-day classroom conditions..The school systems were
approached by the publishing company and asked to use their remedial reading program already planned for the
upcoming semester, as a control group..This was done in order to compare Bridge with the normal remedial
reading activities of the schools..The evaluation was designed as an AAL (African American Language) group,
control group, pre-test, post-test experiment..Knowledge of reading was assessed before and after exposure
to
the reading activities of both groups.
A Black Harvard graduate student, successfully field tested “ Bridge, A Cross-Cultural Reading Program. Dr. Gary Simpkins designed and
tested the program with Houghton Mifflin Publishers in 1976, its methodology improved reading scores of
functionally illiterate Black inner-city students in grades 7-12. Reading scores for the kids that were
taught
with the 'Bridge Readers' showed 6.2 months of reading gain after four months of instruction and testing. By
contrast, what researchers also found was that the kids that were taught by the conventional methods showed
only 1.6 months of reading gain, consistent with the evidence that” the longer African American kids stay in
school with existing methods, the further behind they fall in national norms.” The experimental evidence was
dramatically in support of the approach, the method offered hope that African American kids would finally be
able to read above and ahead of the norm, rather than below it. But the inclusion of the vernacular in some
of
the “Bridge” readers, even though the kids ended up reading the final version in standard English, elicited
knee-jerk negative reactions similar to those which emerged in the Oakland Ebonics debacle of 1996. The publisher of this innovative series of readers,
Houghton Mifflin, embarrassed by the negative reactions, quickly decided against continuing production of
the
“Bridge” series, and this very innovative and promising experiment came to an abrupt end, despite its
demonstrated pedagogical success, (Professor John
Rickford,
Stanford University). The Bridge Reading Program makes effective use of peer influence on learning,
providing for differences in individual levels of achievement, and accommodates cultural differences. Its
methodology is still viable today and the program is suitable for adults with reading problems. Over 50% of
our Black non-mainstream students in inner-city schools are functionally illiterate, functioning at a peak
of
4.9 grade level achievement rate in reading and writing. Presently, research funding is actively being
sought
to convert the revised edition of the ”Bridge” readers into a computerized interactive teacher/student
friendly version for our inner-city students.
Dr. Patricia Young at
the UMBC
1000 HILLTOP CIRCLE, BALTIMORE, MD 21250
e Pyoung@umbc.edu | phone: 410-455-3902
is the chairperson for the project.
Detailed info on the specifics on the “Bridge” reading program can be found within the book “The Throwaway
Kids” by Gary Simpkins, Amazon.com; Barnes & Noble
JLC Journal of Language Contact
Evolution of languages, contact and discourse provides a forum for discussion of general perspectives on
language change and should accept contributions of any orientation on the principle that reasoned
argumentation will enrich our understanding of language contact.
Stanford University
Library's Reference Guide for Pidgin and Creole Languages
With bibliographical information for beginners in the field.
linguistlist.org - list information
For Those With a Sense of Humor: 1999
The Dialectizer If you like Pig
Latin--this one will have you laughing
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Center for Applied Linguistics Ebonics Information Page. http://www.cal.org/ebonics/Carolyn Temple Adger is a Program Associate at the Center for Applied Linguistics in Washington, DC. For more information, contact her at 202-429-9292, or at: carolyn@cal.org by electronic mail.
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